Slaughter to Prevail real “Grizzly” album on July 18th 2025 via Sumerian Records
March 18, 2026
SLAUGHTER TO PREVAIL – GRIZZLY There’s heavy… and then there’s Slaughter to Prevail heavy… A feral, bone-crushing assault that proves modern deathcore still has teeth—and Slaughter to Prevail are baring the biggest fangs in the genre. With Grizzly, the band doesn’t just release another deathcore record—they unleash something that feels more like a controlled demolition.
Lamb of God album “Into Oblivion” releases on 13th March via Epic/Century Records
March 13, 2026
The Richmond wrecking crew hasn’t just returned; they’ve reloaded with a vengeance that makes their previous efforts feel like a mere warning shot. Lamb of God’s latest offering, Into Oblivion, is a jagged, soot-stained masterclass in pure sonic hostility. Forget the polished sheen of modern metalcore—this is a primal, high-octane excavation of human decay.
Buckcherry co-headline with Michael Monroe & Rubikon- 27th Feb 2026, KK Steelmill, Wolverhampton, UK
March 6, 2026
Yes, tis I, Crewe’s answer to ubiquity personified if we’re to believe certain restroom doors in the Wheatsheaf, back once again like a vertebra (rather than a renegade master), and here with you to share another of my exploits into the rock music scene around the West Midlands. This time, as the more perceptive of
Michael Monroe releases his brand new album “Outerstellar”- releases on February 20th via Silver Lining Music
February 18, 2026
It’s 9pm on a dark and grey Tuesday night and my musical partner in crime appears via WhatsApp and hurls me a last-minute review request. Cue Michael Monroe’s “Outerstellar” landing in my inbox! Now, I don’t know if the aforementioned Monroe purveys music of a rock, indie, or opera persuasion or something somewhere in between
THUNDER re-release a digitally mastered version of their 1998 live album via EAR Music
February 6, 2026
Available for the first time digitally, this monster of a release at the time consisted of 22 tracks and over 2 hours of live music spread across two venues, one of which I used to work at, the Wulfrun Hall in Wolverhampton, and so, having a few hours spare and a publisher to appease I